Who are you really? Immigrant’s Journey of Discovery

My parents fled certain death when the Soviets invaded Latvia.
Oh, the stories. Burying valuables in the forest, leaving home in a horse drawn cart,
dodging bombs and bullets for months, searching for food and shelter each day.
How much of that trauma is passed on to their children, my sister and I?

I was born in a displaced persons’ camp. Immigrated to the United States.
That first day of school, I learned my very first English word: pencil.
I so desperately wanted to become American but still had to go to Saturday Latvian school.
How much of those experiences shape me? Insecure? Shy?

In my thirties, I finally went to Latvia. I cried. No, I sobbed. My whole body shook.
I was born without a home. Walking on Latvian soil felt like returning home. A deep home.
And our mysterious ancient family roots trace back in Latvia to at least the 1700s.
How much of that is part of my deep unconscious memory?

So I create images and recall stories to help me understand the source of those tears.
To help me understand how ancestors and culture make me the composite I am today.
To even help me understand what it means when DNA tells us that we, all of us “modern” humans, are Immigrants out of Africa some 100,000 years ago.

Aren’t we all immigrants?

Arise from the couch. Step out of comfortable. Climb into the little row boat. Trust. The earth is not flat.

Please, join me on this journey to see what we can discover.


I’m slowly creating a gathering of images and text for this project. Aiming for completion in late Spring 2025, with gallery shows (at least one in Riga, Latvia) and a book. Would appreciate comments.


Where to search for clues that make us who we are today?

How much do our Ancestors affect the inner landscape of who we are today? That’s one of the core questions I’m trying to answer for myself. So far, the more I rummage through my ancestral compost pile, the more I find rich soil sprouting this person I am right now.


fine art, composite, Immigrant story,

Mom It wasn’t until after my mom—Zina—died, did I realize all the colors she painted in my life. She was a school teacher in Latvia and in the displaced persons’ camps where we lived after we escape the Soviets. In America, she continued not only patiently teaching my sister and I all of her life, but also her grandkids. In our Napa, California, house, she made Latvian dishes and deserts. Neighborhood kids always hung out at our house for the treats. Small wander that at her memorial, the church was filled with adults who were kids I grew up with in Napa

Something, some unspoken Siren, called me to visit the abandoned Ipiki school house not far from our Latvia family farm. I wandered into memories.


Weaving Memory with Life With this Immigrant’s Journey Project, I’m like a lighthouse searching for new ways to combine foggy memories with everyday life into a single image. How to do that? My wife Eddi’s creative quilts provided God-light inspiration.

So now I’m physically weaving two or three printed-on-special-paper photographs into one image. (Since they are very 3D tactile, the actual prints present much better than 2D screen presentations.) Keep in touch for upcoming gallery shows.



When the Sirens call your heart, a Journey of Discovery begins.

The Immigrant begins the Journey


Colorful composite photograph of man with suitcase lookiing at a baby photo then leaving the dilapidated house.

The First Step What was that stirring in my heart? What did it hear? It had been 28 years since my last journey to homeland Latvia. Now I needed to undertake a pilgrimage to touch deep cultural roots, to meet relatives I didn't know I had, to revisit our family farm. Taking the first footstep toward a homeland journey, to going home.



But where exactly is your home? Where do you start any journey?

Man wearing hat and Hawaiian shirt driving a red classic convertable car in a rural Latvian farm landscape. Fine art photography

Arriving covered with American dust On my most recent trip to Latvia, the Bolt (Europe’s answer to Uber and Lyft) driver told me that my Latvian was perfect, but I had an American accent. Wait. How did that happen? My first language was rural Latvian. California English was my second.

Yea. And why in Germany, people knew I was American just by my clothes? And why in some world countries I travel with my EU passport because Americans are despised?

So how did this American dust cover me like dandruff?


I brought American Dust to Sabile, Latvia


Fine art composite photograph of a man with suitcase and hat facing scenic Sabile village, Latvia.

Latvia’s Siren Song What was that feeling? Awakened me in the night? Touching me like moon light through the bedroom window?

How could an ant-sized noise in my heart propel me to return, as an immigrant. Searching for roots, What is this Siren song that makes a postage-stamp-size country feel like home?

On that bumpy potholed journey of discovery, I found a beautiful Latvia. One that made my heart sing. I could easily live in this village called Sabile on the Abava River. They even have a vineyard. What more could I ask for?


fine art composite photograph illustration Latvian immigrant with suitcase

Homecoming


Searching the ancestral compost pile

Searching Sometimes, when I’m in Latvia I wander the village streets where mom grew up. Looking. Feeling. Trying to touch something we discard as the past.

Why?

Perhaps to unearth weathered ancestral roots that provide the compost, the rich nutrients growing the person walking those very streets today.


Looking for Mom, my roots When my mom started high school, she bicycled the 10 miles to Rujiena, the biggest village in the area. But in the freezing snow. No. So she moved to Rujiena.

On my last trip to Latvia, I spent a week in Rujiena often wandering the streets wondering what it must have been like for her inner life? Alone? Away from family? Away from home?

One evening while strolling on Skolas iela (School street), a puffy cloud of realization engulfed me. I don’t mind being alone. In fact, I enjoy it. I most often travel alone. And I love getting on my bicycle to see the world. Wow, mom, you passed on more than I ever realized. Thank you.

Looking for Mom, my roots version 2



What colors did the Soviet Communist boot prints leave in Latvia?

young girl stares blankly out the window with bullet hole crack

Is there a future? I felt it as soon as I got off the airplane in Riga. During my first return trip to Latvia I experienced the heavy air from 50 years of Soviet occupation. A leaden grayness smothered everything. This little girl’s oblivous stare perfectly summerized the effects I saw on people.


Composite of immigrant man waving hat at a mother and child in Cesis, Latvia.

Recalling little joys (The recovery power of the Human Spirit) Looking at the photograph of the child running towards mother I took when the Communist occupied Latvia reminded me of all the hardships during that time, but also the little joys.

I recall standing in a long line outside the dairy store to buy a bottle of milk. Just one liter. When I finally got to the counter, they were completely sold out. Not a single drop left. (Obviously some dairy collective in the failing Soviet system did not produce their quota, even if their records showed over production.) I left frustrated.

Then I strolled down the street to see this girl running to greet her mother after school. Oh, how that little girl’s joy lifted my spirits. No milk today, but there’s still joy to be found around the corner.



Can you imagine your Honeymoon as a life-long Escape when Soviets took your home?

Composite photograph of a Latvian wedding couple in front of old house with suitcase man watching.

Just married. Then flee for your life. When I took a walk along the gravel road that bisected our Latvian family farm towards the Estonian border, I stopped by an abandoned farm house. Since my parent’s house had long ago crumbled from Soviet-period neglect, seeing this neighboring house opened the corral to a herd of thoughts, wonderings.

Mom and dad married in 1943. (See mom’s hand-written wedding invitation in the photograph. “Please honor us with your presence at our wedding in Rūjiena’s church.”)

Oh, that first year of marriage. Constant rumbling of War. First the Russian Soviets invaded. Dad’s brother killed. His nurse sister sets up a hospital in her own home. Then the Nazis flooded in. When the Soviets started to push the Germans out, it was decision time.

Fearing for their lives, less than a year after the wedding day, mom and dad fled the tsunami-like Soviet invasion. Packed a few necessities, maybe a handful of photos, into a horse-drawn cart. Buried some things. Then left their home. Left Latvia. Left forever.

So, in front of this abandoned house neighboring our Latvia family farm, I let my mind drift. What kind of thoughts ravaged mom and dad during those first steps of their exodus?


composite fine art illustration photograph of Latvian immigrant looking at lighthouse on stormy beach

Hope Imagine living in various crowded displaced persons’ camps with blankets for walls for more than five years. That’s my parents’ experience and with two young kids (my sister and me). There were thousands of others in those camps. Imagine the hope my parents must have felt when we were accepted into the United States. I can now only imagine the similar experiences of Ukrainian and other refugees around the world.


Suitcase on The Path Just before my parents, Paul and Zina, fled Latvia to save their lives from the invading Communists, they buried their few valuables—silverware, dishes, jewelry—in the forest. Then they ran. They left everything, their house, their furniture, their barn, their animals, their fields (where dad spent years installing drains), their crops, their tools, their homeland, their future and, their hearts. So why does this same heartbreak journey happen over and over throughout the history of us modern humans?


fine art composite photograph illustration of Latvian man immigrant with suitcase standing in front of overgrown closed door

The Closed Door The door to a new home country was eventually opened for my family and I. Oh, the waiting, the agony of a closed door.


How did America shape me, the Immigrant?

Fine art photoshop composite photograph of an adult man with suitcase facing a boy dressed as a cowboy.

Becoming an American Cowboy As an immigrant kid I really wanted to become an American. That meant speaking only English and being a cowboy. How did I ever learn that stereotype, that cultural myth? Today I see "adult" men strutting with real guns in the street. So are they living out the same stereotype of the rugged individual with a gun I wanted to emulate as a kid? Can we grow up and out of stereotypes learned as a child? And what cultural stereotypes or myths did you emulate as a kid?


Emerging from a forest of unknown infant memories Why did the Creator made infant memory fog? Why can’t we remember life events before age two or three?

Mom and dad told me I spent my infant years in two displaced persons’ camps in Germany, Itzaho and Eutin. Looking at photos of DP camps, a gentile wind whispers through a dark forest, stirring something untouchable deep inside. But not a single picture or word is recorded in the memory album. Yea, something about the brain’s hippocampus not being developed enough to process the pictures of life.

I know some who are fortunate not to have clear cognitive memory of terrible events during those foggy years. I sense I’m fortunate.

Yet, surely those memory mystery years left inky fingerprints on me.


Fine art composite photography of man in Edsel car flying over African village.

Out of Africa Anthropologists and DNA tell us that we, all of us Modern Humans, migrated out of Africa some 60,000 to 100,000 years ago. I wonder how far we as human immigrants have come since leaving the homeland?


Fine art composite photography of a single wooden house in Latvia with a man in the sky.

Call of the Homeland Why does my cultural homeland Latvia have such a strong pull on me? The first time I went back (during the dark Soviet time), I cried. It felt like I arrived home. On this last trip, more than 30 years later, Latvia still felt comfortable, like cozy home with a roaring fireplace. Even though I spent most of my life in the States, where does that deep Latvia homeland feeling come from?


Fine art composite photograph of a large man with suitcase entering a dingy run down room where another man looks at old photographs in Latvia.

Memories meet reality During my last homeland Latvia visit, I really tried to re-imagine scenes from my parent’s stories and memories. It’s been just over three quarters of a century since they buried their valuables and escaped Latvia.

As I stood in their last footsteps, I couldn’t help but tear up imagining their pain. Now a handful of photographs they managed to stuff into bags loaded onto a small horse-drawn cart are my family archeological treasures, helping me match memories with a past reality. Helping me to picture my family reality.


Composite photograph of an immigrant man looking through iron bars at his father looking at what is left of the family farm in Latvia.

So many regrets


How strong are my values? In fact, what are my values? What would I have done?

Silent Shoes What would I have done?

A row of stone shoes sat silently in front of my AIRBNB apartment in little Cesis village, Latvia. There was dad’s shoes. And mom’s. Those must belong to the grandparents’. A couple of teenagers’ sneakers. And, oh a pair of cute tiny baby’s shoes. Each pair represented a member of the Jewish family who once lived in the very rooms where I was staying, eating, sleeping. I was walking over their very footsteps.

The Nazis and Latvians killed them. Murdered the entire family. As well as 66,000 other Jewish fathers, mothers, grandparents, teenagers and babies. And that’s just in Latvia, during WW2.

As reflective reminders, Cesis set full-sized shoe sculptures in front of every house where a Jewish family once lived. Now rows of silent shoes—father, mother, grandparent, teenager and baby shoes—are scattered throughout the village. Even though the shoes will never bring back those killed, murdered, the families live in sculpted memory.

But each time I would walk past a family of shoes, I wondered. I asked. Would I have silently watched? Would I have shut the blinds, pretending it wasn't any of my business? Initially, it’s easy for me to say, of course not.

But what am I doing now? Today? What am I doing about the hatred in the country I live now? The road less traveled? Oh, aren’t those window blinds so easy to close?


Watch for weekly new images on the Immigrant’s Journey